Atlantic
recording group Death Cab for Cutie has announced an array of activity
surrounding the release of their much-anticipated eighth studio album, “KINTSUGI” which arrives on March 31.
“KINTSUGI” which follows their 2011
GRAMMY Award-nominated
“CODES AND KEYS”, is heralded by today’s
release of the album’s first single, “Black
Sun.” Listen
to “Black Sun” below from B&T.
“One
of the most beloved live acts of the modern era, Death Cab for Cutie will
introduce “Black Sun”
to the world via a live performance on CBS’ Late Show with David
Letterman, scheduled for this Thursday, January 29th.
This will be followed by a performance on CBS’ The Late Late Show
on Friday, January 30th.
Death
Cab for Cutie, has also unveiled the first leg of their upcoming North American
headline tour, slated to get underway April 23rd at Kansas City’s
Arvest Bank Theatre at The Midland and then travel through mid-May. The upcoming performances will
have the core membership of singer/guitarist Ben Gibbard, bassist Nick Harmer,
and drummer Jason McGerr augmented by new touring members Dave Depper
(Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest
Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley), both of whom will contribute
additional guitars and keyboards.
The band played their first show since the
departure of founding member Chris Walla, last week in their hometown of
Seattle at The Crocodile Café. The
Seattle Weekly hailed, “The onstage chemistry between
original members singer/guitarist Gibbard, bassist Nick Harmer, drummer Jason
McGerr, and the new players was surprisingly heartfelt; the vibe felt as if
they had been jamming together for years, and it showed in how beautifully they
riffed off of each other during the set’s numerous instrumental solos”. Additional
dates will be announced soon.
Recorded
in Los Angeles with Rich Costey (Franz Ferdinand, Muse, Interpol) behind the
board, “KINTSUGI”
takes its title from the Japanese art of repairing broken ceramics
with precious metals like gold, silver, and platinum, highlighting cracks
rather than hiding them. As such, kintsugi represents a
compassionate aesthetic philosophy in which damage and wear are embraced as
part of an object’s history.
“Considering
what we were going through internally, and with what a lot of the lyrics are
about, it had a great deal of resonance for us – the idea of figuring
out how to repair breaks and make them a thing of beauty,” says bassist Nick
Harmer, who suggested the name to Gibbard and McGerr. “Philosophically,
spiritually, emotionally, it seems perfect for this group of songs.”
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