Showing posts with label omnivore recordings. Show all posts
Showing posts with label omnivore recordings. Show all posts
Tuesday, January 31, 2017
Cindy Lee Berryhill Returns, with "The Adventurist"
Ms Berryhill emerged on the music scene in the late 1980s with Who’s Gonna Save The World,
followed by the Lenny Kaye produced Naked Movie Star. 1994’s Garage Orchestra continued the trend, receiving four stars from Rolling Stone. Sadly, her husband, Crawdaddy magazine founder Paul Williams sustained a traumatic brain injury in 1995, and while she continued to write and perform, she focused on caring for him until his passing in 2013.
Determined to retain and honor the beauty and joy of the relationship they shared, Berryhill set out to write and record an album full of visionary songs. With the help of her musical friends including DJ Bonebrake (X, The Knitters), Probyn Gregory and Nelson Bragg (Brian Wilson), Syd Straw, Michael Jerome Moore (The Blind Boys Of Alabama, Richard Thompson, John Cale) and more, they all understood that a grand musical adventure was in store. The result? The Adventurist, out March 10, 2017 via Omnivore recordings.
Wednesday, May 18, 2016
The Bangles's "Ladies And Gentlemen… The Bangles!" Out June 24
Hand-selected by the band members from their personal music, archives, Ladies and Gentlemen… The Bangles! is a 16-track collection of re-mastered ’80s-era rarities, demos, live recordings and more, including their debut single and all of the tracks from their self-titled EP ; produced by legendary Ramones/Blondie producer Craig Leon, unavailable since its initial release on vinyl in 1982. The set will be out on Omnivore Recordings on June 24, 2016.
Encompassing the very first years of the band’s development, from their earliest days as The Bangs to their incarnation as The Bangles, this is the original line-up of Susanna Hoffs, Debbi Peterson, Vicki Peterson, and their first bass player, Annette Zilinskas. (Annette’s replacement, long time Bangles bassist Michael Steele appears on a couple of live tracks.)
“We’re so pleased to give our fans and music lovers alike the chance to enjoy the early fruits of our labor. Some of these tracks have never seen the light of day,” states drummer/singer Debbi Peterson.
“We’ve wanted to make these songs available to a new audience for a long time,” adds singer/guitarist Vicki Peterson. “We’ve thrown in a couple of live tracks, and even some of the first demos, all lovingly collected and re-mastered, so you no longer have to dig out a cassette player to hear them.” Singer/guitarist Hoffs continues, “I feel a very special connection to our early recordings. The garage of my parents’ house was our musical laboratory, and we took all the flavors of our favorite bands and mixed up a concoction of jangly guitars, McCartney-inspired bass parts, grooves powered by punk energy, and harmonies galore! These songs and recordings were our musical manifesto — all that mattered and inspired us, fueled by youthful energy, hope and blind ambition.
Encompassing the very first years of the band’s development, from their earliest days as The Bangs to their incarnation as The Bangles, this is the original line-up of Susanna Hoffs, Debbi Peterson, Vicki Peterson, and their first bass player, Annette Zilinskas. (Annette’s replacement, long time Bangles bassist Michael Steele appears on a couple of live tracks.)
“We’re so pleased to give our fans and music lovers alike the chance to enjoy the early fruits of our labor. Some of these tracks have never seen the light of day,” states drummer/singer Debbi Peterson.
“We’ve wanted to make these songs available to a new audience for a long time,” adds singer/guitarist Vicki Peterson. “We’ve thrown in a couple of live tracks, and even some of the first demos, all lovingly collected and re-mastered, so you no longer have to dig out a cassette player to hear them.” Singer/guitarist Hoffs continues, “I feel a very special connection to our early recordings. The garage of my parents’ house was our musical laboratory, and we took all the flavors of our favorite bands and mixed up a concoction of jangly guitars, McCartney-inspired bass parts, grooves powered by punk energy, and harmonies galore! These songs and recordings were our musical manifesto — all that mattered and inspired us, fueled by youthful energy, hope and blind ambition.
Tuesday, January 5, 2016
JD Souther's "John David Souther" Re-issued by Omnivore
Before he was co-writing #1 Eagles hits like “Best Of My Love,” “New Kid In Town,” and
“Heartache Tonight” with Glenn Frey and Don Henley, JD Souther formed Longbranch / Pennywhistle with Frey when they were roommates. Their downstairs neighbor was a fellow by the name of Jackson Browne, who took Souther to audition for his boss, David Geffen, who had recently formed the Asylum Records label. After hearing two songs, Geffen told Souther to “go make a record.” And, that’s exactly what he did.
John David Souther arrived in 1971, and was immediately a critical success and established Souther as a, if not the songwriter to watch. (He would later be inducted into the Songwriters Hall of Fame 42 years later…)
Co-produced by Souther and Fred Catero (who had recently finished Santana’s Abraxas), John David Souther featured 10 originals; all stunning, and many of which would be covered by artists like Bonnie Raitt (“Run Like A Thief”) and his old friends the Eagles, who released “How Long” as the first single from their 2007 comeback and multi-platinum smash, Long Road Out Of Eden.
“Heartache Tonight” with Glenn Frey and Don Henley, JD Souther formed Longbranch / Pennywhistle with Frey when they were roommates. Their downstairs neighbor was a fellow by the name of Jackson Browne, who took Souther to audition for his boss, David Geffen, who had recently formed the Asylum Records label. After hearing two songs, Geffen told Souther to “go make a record.” And, that’s exactly what he did.
John David Souther arrived in 1971, and was immediately a critical success and established Souther as a, if not the songwriter to watch. (He would later be inducted into the Songwriters Hall of Fame 42 years later…)
Co-produced by Souther and Fred Catero (who had recently finished Santana’s Abraxas), John David Souther featured 10 originals; all stunning, and many of which would be covered by artists like Bonnie Raitt (“Run Like A Thief”) and his old friends the Eagles, who released “How Long” as the first single from their 2007 comeback and multi-platinum smash, Long Road Out Of Eden.
Friday, September 4, 2015
Peter Frampton's PREMONITION, WHEN ALL the PIECES FIT and NOW Albums Available Again!
After an incredible run through the 1970s on A&M Records, Peter Frampton reemerged in 1986 on a new label, with a new album and single that found him back on the Billboard charts and radios across the world.
Frampton's Premonition and When All The Pieces Fit were re-released on Omnivore Recordings last week, August 28, 2015 and NOW is out today, September 4.
Premonition was Peter’s first release to make the Billboard Top 100 Albums in five years. Anchored by the mainstream rock hit “Lying,” the record featured a rejuvenated Frampton and nine solid tracks. He shared production duties with GRAMMY®-nominated producer Pete Solley (the Romantics, Motörhead, Oingo Boingo) and was joined by such highly regarded musicians as Steve Ferrone (Average White Band, Tom Petty & the Heartbreakers), Tony Levin (King Crimson), Richard Cottle (Alan Parsons Project), and Omar Hakim (Sting, David Bowie). After Premonition’s release, Frampton joined his friend David Bowie on the latter’s 1987 album Never Let Me Down and its ensuing Glass Spider Tour, another step in his reintroduction to the masses.
Frampton capped off a successful mid-’80s with his tenth studio release, 1989’s When All The Pieces Fit. The album hit the Billboard Top 200, following in the wake of 1986’s Premonition.
Frampton's Premonition and When All The Pieces Fit were re-released on Omnivore Recordings last week, August 28, 2015 and NOW is out today, September 4.
Premonition was Peter’s first release to make the Billboard Top 100 Albums in five years. Anchored by the mainstream rock hit “Lying,” the record featured a rejuvenated Frampton and nine solid tracks. He shared production duties with GRAMMY®-nominated producer Pete Solley (the Romantics, Motörhead, Oingo Boingo) and was joined by such highly regarded musicians as Steve Ferrone (Average White Band, Tom Petty & the Heartbreakers), Tony Levin (King Crimson), Richard Cottle (Alan Parsons Project), and Omar Hakim (Sting, David Bowie). After Premonition’s release, Frampton joined his friend David Bowie on the latter’s 1987 album Never Let Me Down and its ensuing Glass Spider Tour, another step in his reintroduction to the masses.
Frampton capped off a successful mid-’80s with his tenth studio release, 1989’s When All The Pieces Fit. The album hit the Billboard Top 200, following in the wake of 1986’s Premonition.
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