Regina Spektor returns with her seventh album Remember Us To Life out September 30 on Sire/Warner Bros. Records.
The new LP marks Spektor’s first outing since 2012’s What We Saw From The Cheap Seats, which debuted at #3 on the Billboard Album Chart and her Grammy-nominated theme song “You’ve Got Time” for the hit Netflix show Orange Is The New Black. Recently it was announced that Spektor has recorded George Harrison’s classic “While My Guitar Gently Weeps” for the animated film Kubo and The Two Strings, to be released on August 19th.
Remember Us To Life is composed entirely of all new songs recently written by Spektor, a change from past albums when she would record songs written throughout her career. Spektor gave birth to her first child in 2014 and she spent considerable time writing during and after her pregnancy. Says Spektor “I made more art and felt more inspired than I had in a long time.”
Spektor recorded with producer Leo Abrahams (David Byrne/Brian Eno, Frightened Rabbit, Paolo Nutini) in Los Angeles at The Village Studios. Says Spektor of Abrahams, “he is such a kind and talented musician. And person! I felt very grateful to work with him.”
Showing posts with label female singers. Show all posts
Showing posts with label female singers. Show all posts
Tuesday, August 9, 2016
Monday, February 2, 2015
Listen to Rhiannon Giddens New "Tomorrow Is My Turn" Album
Rhiannon Giddens' debut solo album, Tomorrow Is My Turn, is due out next Tuesday, February 10, via Nonesuch Records. But you don't need to wait till then to hear it: the new album is streaming in full all this week as an NPR First Listen. Tomorrow Is My Turn, produced by T Bone Burnett, features a broad range of songs from genres as diverse as gospel, jazz, blues, and country, including works made famous by Dolly Parton, Patsy Cline, Odetta, and Nina Simone.
"It's a scrupulously selected, richly realized collection of songs," writes NPR's Ann Powers.
"Tomorrow Is My Turn tells the story of how songs become crucial through certain performances that take them somewhere beyond their origin points. Giddens responds to these performances with highly nuanced, sometimes theatrical, always personal readings of her own, presenting an alternative history of folk and popular music that's particularly appropriate for today." Powers later concludes: "Though she didn't write most of these songs, Giddens owns them on Tomorrow Is My Turn ... Her voice—mobile, intelligent, ready to talk back to anyone's presumptions—is always at the center here, guiding the story. Let me be the first to say it: Today is Rhiannon Giddens' turn." Read more and listen to the complete album, streaming now here
"Tomorrow Is My Turn tells the story of how songs become crucial through certain performances that take them somewhere beyond their origin points. Giddens responds to these performances with highly nuanced, sometimes theatrical, always personal readings of her own, presenting an alternative history of folk and popular music that's particularly appropriate for today." Powers later concludes: "Though she didn't write most of these songs, Giddens owns them on Tomorrow Is My Turn ... Her voice—mobile, intelligent, ready to talk back to anyone's presumptions—is always at the center here, guiding the story. Let me be the first to say it: Today is Rhiannon Giddens' turn." Read more and listen to the complete album, streaming now here
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